Skip to main content

"Up" – A Soaring Emotional Journey Grounded in Heartache

Pixar's Up is a film that stands out not just for its unique story but for the profound emotional depth it brings to the screen. It’s a beautiful mix of adventure, heartache, and redemption that speaks to audiences of all ages. But, does it still hold up today 15 years later? Wow, that's weird to say. Let's take a look.

Image by Wikipedia

The Heart-Wrenching Beginning

From the moment Up starts, Pixar grabs you by the heartstrings and doesn’t let go. The opening montage of Carl and Ellie’s life together is one of the most emotionally potent sequences in recent memory. We watch them grow from childhood sweethearts to an elderly couple, facing the highs and lows of life together. This includes a gut-wrenching moment where they lose their unborn child, a daring move for an animated film but one that pays off in grounding the story in real, relatable human experiences.

It’s rare for a film, especially an animated one, to handle such heavy topics with grace and subtlety. Pixar doesn’t shy away from the complexities of life’s trials and tribulations, and in doing so, they create a narrative that resonates deeply. Carl’s subsequent grief and his inability to move on after Ellie’s death form the emotional core of the movie. You feel more for Carl in those first 10 minutes than you do for entire casts of other films.

Image by TheThings

Carl’s Journey: From Grief to Growth

Carl’s character arc is the film’s backbone. We see him as a bitter, grieving old man, stuck in the past and resistant to change. His journey, physically represented by his house lifted by thousands of balloons, symbolizes his emotional journey towards letting go. The house, full of memories with Ellie, serves as a poignant metaphor for his attachment to the past. When he finally lets it go, it's not just the house he’s releasing—it’s Ellie, and the life they planned but could never have. Subtly, this is shown throughout the movie by a small amount of balloons being released from the floating house from time to time the happens to correlate when Carl accepts something new or facing something he didn't want to.

His relationship with Russell, the eager boy scout, is intended to show Carl’s transformation and his acceptance of new adventures. While their bond is heartwarming and provides moments of levity, it feels somewhat forced. Carl’s transition from a grumpy recluse to a willing protector and mentor to Russell could have been more naturally developed. The setup was there, with Carl and Ellie’s longing for a child, but the execution missed a few key emotional beats. A moment where Carl explicitly connects his care for Russell to the child he and Ellie lost would have solidified this relationship for both adults and children watching.

Image by The New York Times

Fantastical Elements and Emotional Depth

The movie’s fantastical elements—talking dogs, floating houses, and exotic birds—are where it truly shines for a younger audience. Dug, the talking dog, provides comic relief and his “squirrel!” moments are undeniably amusing. Yet, for me, this whimsical addition slightly detracted from the film’s emotional depth. The shift from a deeply moving narrative to scenes of talking dogs can feel jarring, pulling you out of the poignant journey of Carl’s emotional rediscovery.

The film also touches on how society idolizes certain figures, only to reveal their flaws. Carl’s encounter with his childhood hero, Charles Muntz, brings a harsh reality check. Muntz, once a revered explorer, turns out to be a deeply flawed and dangerous man. It’s a sobering reminder that our idols can have feet of clay, but this subplot feels a bit undercooked and doesn’t fully mesh with the rest of the story’s emotional resonance. On top of this, I'm not really sure how many children will follow their back story enough for the emotional weight to really take shape for them. Also, and I know this is being nitpicky a bit, but when Charles goes missing, Carl might be, what, 10, and Charles was a man already exploring, likely in his late 20's at the very earliest. When they meet later in the movie, Carl must easily be over 60 now, making Charles easily in his late 80's to early 90's. Charles doesn't act or seem anywhere near that old. If there is some fountain of youth in this magical part of the world, they never mention it. Just a weird thing that I know doesn't matter, but it was a choice that Pixar made that makes me scratch my head a bit.

Image by Screen Rant

The Big City vs. Personal Memories

Another standout aspect is the depiction of Carl’s struggle against modernity. The relentless encroachment of the city, with developers trying to buy his house to build a shopping mall, highlights the clash between personal memories and societal progress. To the developers, Carl’s house is just a piece of land. To Carl, it’s a vessel of cherished memories with Ellie. This conflict adds another layer to the narrative, illustrating how easily society can overlook individual histories in the face of economic growth.

Image by Hollywood Reporter

A Colorful and Unique Adventure

Visually, Up is stunning. The colorful balloons that lift Carl’s house are a beautiful symbol of his journey and add a magical touch to the story. The film's adventurous spirit, with Carl and Russell navigating a strange land filled with unusual creatures, keeps you engaged. It strikes a balance between being "out there" and grounded enough to maintain the suspension of disbelief.

Image by Mental Floss

Final Thoughts

Carl’s journey from grief to rediscovery, set against the backdrop of a colorful and whimsical adventure, makes Up a unique and unforgettable experience. It’s a film that will have you laughing, crying, and reflecting on the importance of letting go and embracing new possibilities. My overall score? A solid 8 out of 10. It didn’t reinvent the wheel, but it sure added a memorable story to the collection of films I can watch again and again.


Pros:

  • Emotionally Powerful Opening: The first 10 minutes are a masterclass in storytelling, evoking deep empathy for Carl and Ellie.
  • Bold Themes: The film tackles difficult topics like loss, grief, and the challenge of moving on with remarkable sensitivity.
  • Character Development: Carl’s journey from bitterness to embracing new adventures is both moving and inspiring.
  • Visuals and Color Palette: The vibrant visuals, especially the balloons, create a captivating and whimsical atmosphere.
  • Unique Storytelling: The film balances fantastical elements with grounded emotional realities.

  • Cons:

  • Talking Dogs: The introduction of Dug and the talking dogs, while amusing, detracts from the film's deeper emotional undertones.
  • Unconvincing Bond: The relationship between Carl and Russell feels somewhat forced and lacks a natural progression.
  • Flawed Idol: The portrayal of Charles Muntz highlights the disillusionment with celebrity heroes but feels underdeveloped in its execution.
  • Missed Emotional Cues: Carl’s fatherly connection to Russell could have been more explicitly tied to his own loss of a child for a stronger emotional impact.
  • Comments

    Popular posts from this blog

    Fallout - Worth The Fire

      Well, it's been a long time. Over the last 7 months or so, I've watched a whole lot of everything, but honestly, I was just tired. I was tired of basically writing the same reviews for all the new movies out there. I felt like my keyboard was stuck with only certain words available to describe the current media. Words like "WOKE", or "Weak" or "Missed opportunity" and several other lets say not pleasant words. Then we come to the release of Fallout. I adore the Fallout series of games (Yes all of them, even 76 [which was better without settlers in the Wasteland. I will die on that hill]). Just something about the dark humor mixed with what could be (to an extent) real world events. Especially seemingly how we're been headed as a society in the last few years. But, was I worried when I heard there was a show being developed not only now but by Amazon Studios, nah, why would I ever be worried that Amazon would ruin and alienate an existing fanb

    IF: A Great Concept Drowned in Missed Opportunities

    Alright, let’s dive into IF , the latest flick that had all the potential to be a heartwarming tale but ended up stumbling over its own premise. Before we get too far in, I must say, I had hopes. Not high hopes, but hopes. With a unique concept and a cast that included Ryan Reynolds, you’d think this film would be a surefire hit. Spoiler alert: it wasn’t. IF introduces us to the world of imaginary friends (IFs) and the impact they have on the people who create them. Sounds intriguing, right? Sadly, what starts as a promising setup quickly turns into a muddled mess. The concept is great, but the execution leaves a lot to be desired. Image by FirstShowing.net The Good Let’s start on a positive note: Cailey Fleming , who plays Bea, did a remarkable job with what she was given. Her portrayal of a girl caught between childhood and adulthood was nuanced and believable. She brought a sense of maturity to her role while still managing to capture the innocence of being a kid. It's a shame

    The Boogeyman - Back to the Closet

      Ok, so it's been a while since my last review. I'll be honest, I've become very disenfranchised with the whole movie scene this year. It seems like one after another, each movie comes out and is just, well, garbage. So I started to think, why rate movies at all if the ratings never really change much? Then the hiatus. Diablo 4 came out in the meantime, and yes, I've spent a lot of time playing that too, but I've also watched A LOT of movies in the last few months. What has suddenly brought me back to share my views with you today you might ask? A friend's Facebook post of all things. "Just watched 'The Boogeyman'. This may be the scariest thing I've ever seen", and then I threw up in my mouth a little. So here we go. Yes, I've watched The Boogeyman. Image by IMDB Let's start by saying this is far from the worst movie I have seen, after all, I've watched the Requin and half of Drown the Clown (That review for another day *gross