Skip to main content

Godzilla: King of The Monsters NON-SPOILER Review

I should start off by saying, yes, I like Godzilla movies. Even the old-school Japanese ones without subtitles or voice-overs. Godzilla movies always gave me the sense of the possibility of something larger than life is out there somewhere; maybe just sleeping.

I thoroughly enjoyed the 2014 reboot of Godzilla on it's-own but was almost mesmerized as I learned about the monster-verse that was being created. The fans of Godzilla have always wanted a good, American made (No prejudice, I just speak English is all) Godzilla movie. I say "good" because there have been plenty of attempts on American soil, with little, to no good coming from them (Looking at you Godzilla 2000). This movie, however, is not lumped into those movies. This is a great monster movie.

This movie has all the things that made me love the original Japanese versions of Godzilla with the added flair that only Hollywood can deliver. I felt for the humans, I felt for the monsters, I felt for the planet at one point. This is not as simple as "Monster A fights Monster B". There is an actual story here. The story of the elusive company Monarch is front and centre, and its a great, compelling conspiracy theorist-loving story. There were definitely at least 2 places where I didn't know what was about to happen, which is a very good thing.

The monsters are incredibly crafted, keeping all the things you knew and loved about them from the original movies, but adding specific details to make them just that much better. I could be wrong, but it seems as though a lot of practical special effects were used in conjunction with CG effects to create spellbinding lighting effects and photo-realistic special effects. These creatures feel alive. They feel like they have a real purpose.

But do they fight? Hell yes, they fight. Some of the best monster fighting moments I have ever seen were in this movie. King Ghidorah's presence is made clear as soon as you see him (them?). I almost had chills when they introduced him or it or whatever.

Was there cheesy moments, of course there was. The script of a Godzilla movie is never meant to capture awards or anything. Some of the dialogue is dry, and some of it just out-right doesn't make much sense, but here we are talking about a movie with giant monsters destroying cities. There wasn't a lot I didn't like about this movie. Even the human actors were top notch and convincing.

I think my favourite part of this movie was all the Easter-eggs spread out through the whole thing. I won't give any away, but they make it very clear that Godzilla is not the only Titan on planet Earth, and neither are all those featured in the trailers.

Godzilla: King of The Monsters earns its name with this extremely well-done action/adventure film, set 5 years after the original reboot in 2014 as if it were happening today.

Overall score: 8 out of 10 stars

Pros:
- The monsters are amazingly designed and animated
- The plot points of Monarch are well woven
- Fight scenes are some of the best ever been done in these types of movies

Cons:
- Dialogue is bland at times
- There was absolutely zero explanation for a key segment in the film
- You could tell this was part 2 of 3 as they never really pushed the envelope
Labels:

Comments

Post a Comment

Popular posts from this blog

The Monkey (2025): Don't March to This Drum

I had no idea what I was getting into with The Monkey. I went in more or less blind, but given that it was based on a Stephen King story, I had some hope. With the success of It and even the more mediocre Pet Sematary remake, I figured this could be another solid King adaptation. Man, was I ever misguided. Image by IMDb Aesthetic Confusion: What Year Is It? Right away, something felt off. The film starts in 1999—or at least that’s what it claims—but absolutely nothing in the children’s room or the general set design reflects that era. No Blockbuster VHS tapes, no Nirvana posters, no era-appropriate TV shows, not even the right music. Instead, it all feels straight out of the 80s. Then we meet the boys’ Aunt and Uncle, and we’re suddenly in That 70’s Show . The uncle even has the classic 70’s sideburns. The entire aesthetic is a bizarre mishmash of decades, making it feel like the filmmakers didn’t actually care about immersing the audience in the supposed time period. Image by Th...
Post a Comment
Read more

Weapons 2025 – A Witches' Brew Without the Witchcraft

I had never heard of Weapons 2025 . It was a cheap night at the cinema, so i had little choice but to give it a shot. I braced myself for a film that would either be a spectacular new take on a classic subgenre or just another low-budget bust. What I didn’t expect was something that felt less like a movie and more like a fever dream cobbled together from half-baked ideas and an abundance of reshoots. Image by IMDb A Horror That's Not Quite Horror For a film marketed as a horror movie, Weapons 2025 has very little to do with horror. The scares are non-existent. There is a persistent, gnawing tension from the premise of children vanishing into the night, but it quickly dissolves when you realize that's all there is to it. The initial premise sets up a tantalizing mystery, but that flimsy veil is lifted within minutes, and you know exactly what is going on. What follows is not a mystery, a horror, or even a drama. It's a series of disconnected, tedious moments strung together...
Post a Comment
Read more

Final Destination: Bloodlines – A Bloody Fun Return to Form

I’m a big fan of the Final Destination series, so I was honestly surprised to hear that another installment was in the works. Part 5 wrapped things up in such a neat little bow that it felt like the story had come full circle. So when Bloodlines was announced, I was hesitantly optimistic. Could they recapture the magic (and mayhem) of the originals without running the whole thing into the ground? I’m glad to report—it was worth the price of admission. Image by Pacific Science Center Not Shakespeare, But It’ll Do Let’s just be clear up front: this is not some masterpiece of screenwriting. The plot is about as flimsy as ever, and no one here is giving an Oscar-caliber performance. But let’s be real—if you’re showing up to a Final Destination movie expecting award-winning drama, you’ve already wandered into the wrong theater. That said, the writing didn’t make me want to claw my ears off either, which is more than I can say for a lot of recent horror flicks. It was… fine. Image by The...
Post a Comment
Read more