Ratings Central - Movies

I actually got off the couch for this one. After Scream VI proved the franchise still had a serrated edge and a pulse, I put on real pants and headed to the theater, expecting the momentum to carry over. I didn't leave angry, but I didn't leave breathless either. It was worth the price of admission, but just barely—the kind of experience that feels like a "safe bet" when the series really needed to double down on the house's money. Image by IMDb The Mother of All Final Girls From The Series Neve Campbell stepped back into Sidney Prescott’s shoes, and they still fit perfectly. Seeing her navigate the "legacy" of being the world's most targeted survivor while raising a daughter added a grounded weight the movie desperately needed. There were these sharp, lived-in touches—like her house having a built-in panic room and her asking her daughter if she had her "to-go bag" ready. It showed that Sidney hasn't been relaxing; she’s been prepping...

By the time a horror franchise reaches its sixth entry, I usually assume the creative well hasn't just run dry—it’s been bleached and repurposed as a tip jar. I was so convinced this would be a hollow money-grab that I skipped the theatrical run entirely, content to let the series fade into the background of my "seen it all" mental shelf. It took me five minutes to realize that I had made a massive tactical error in judgment. Image by eBay Establishing a Brutal Identity The film picks up where the fifth installment left off, and while that entry was a serviceably "fine," it didn't exactly scream (haha) for a another. However, Scream VI defines its identity within the first five minutes. The opening features the stabbing of a young girl that isn't just a plot point; it is visceral, relentless, and genuinely uncomfortable. It’s a sequence that grabs you by the throat and announces "We understood the assignment". It earns the "slasher" ...

I went into this having been burned by a million horror franchises that mistake "sequel" for "apology tour." After a first movie that left me genuinely wishy-washy, I braced myself for a film that would either lean too hard into explaining the mystery or, worse, just be a paint-by-numbers rehash. I had little choice but to expect the worst: a cash-grab that neutered the menace for a wider audience. Instead, what arrived was a picture that was—and this is the only way to put it—kinda' hard to rate, pivoting from genuinely striking atmosphere to curiously muted menace in a way that kept me leaning in, if only to figure out what it was trying to be. Image by encrypted-tbn0.gstatic.com Answering the Call Let’s start with the stuff that worked. The atmosphere the film conjures is genuinely excellent. There's a brilliant, palpable isolation to the camp setting that brings to mind the heavy dread of something like The Shining. You feel the remoteness, and the filmm...

I had never heard of Weapons 2025 . It was a cheap night at the cinema, so i had little choice but to give it a shot. I braced myself for a film that would either be a spectacular new take on a classic subgenre or just another low-budget bust. What I didn’t expect was something that felt less like a movie and more like a fever dream cobbled together from half-baked ideas and an abundance of reshoots. Image by IMDb A Horror That's Not Quite Horror For a film marketed as a horror movie, Weapons 2025 has very little to do with horror. The scares are non-existent. There is a persistent, gnawing tension from the premise of children vanishing into the night, but it quickly dissolves when you realize that's all there is to it. The initial premise sets up a tantalizing mystery, but that flimsy veil is lifted within minutes, and you know exactly what is going on. What follows is not a mystery, a horror, or even a drama. It's a series of disconnected, tedious moments strung together...

Let's be honest, the words "comedy reboot" are usually a threat, not a promise. In an age where almost every new comedy feels like it was written by a committee or a child, I had little choice but to set the bar low. I went in fully prepared for a cautious, sanitized imitation that would politely nod to the classics while desperately trying not to offend anyone. And my god I was wrong to have even thought this. This new Naked Gun isn't a cautious, deferential homage; it's a loud, obnoxious, and hilarious successor that understood the assignment completely, and deserves the name the Naked Gun. Image by Wikipedia Drebin, Frank Drebin Jr. The elephant in the room was always going to be the casting of Frank Drebin. Trying to imitate Leslie Nielsen would be a fatal mistake, and thankfully, Liam Neeson doesn’t even try. Instead, he brilliantly weaponizes his own established persona. Where Nielsen’s Drebin was a man of unwarranted confidence, Neeson’s is a man of grim, g...

Going into Fantastic Four: First Steps , I’ll be honest—I was hesitantly optimistic. Marvel's recent track record hasn’t exactly been confidence-inspiring, and I didn’t know whether this film would add to the pile of forgettables or manage to pull something worthwhile from the rubble. The short version? It’s better than what came before it... but that’s a low bar to clear. Image by Disney Better... But That’s Not Saying Much Yes, this is the best Fantastic Four film so far—but let’s not throw a parade just yet. That’s like saying a sprained ankle is better than a broken leg. It’s still not a good time. This isn’t Infinity War or No Way Home . It’s more like a cautiously made, safe middle-ground that never dares to do anything bold or game-changing. Image by Consequence.net Retro Aesthetic Done Right On the positive side, I liked the unexpected characters that popped in here and there, and I thought the alternative 60s timeline worked surprisingly well. The aesthetic was actually ...