I’m a big fan of the Final Destination series, so I was honestly surprised to hear that another installment was in the works. Part 5 wrapped things up in such a neat little bow that it felt like the story had come full circle. So when Bloodlines was announced, I was hesitantly optimistic. Could they recapture the magic (and mayhem) of the originals without running the whole thing into the ground? I’m glad to report—it was worth the price of admission. Image by Pacific Science Center Not Shakespeare, But It’ll Do Let’s just be clear up front: this is not some masterpiece of screenwriting. The plot is about as flimsy as ever, and no one here is giving an Oscar-caliber performance. But let’s be real—if you’re showing up to a Final Destination movie expecting award-winning drama, you’ve already wandered into the wrong theater. That said, the writing didn’t make me want to claw my ears off either, which is more than I can say for a lot of recent horror flicks. It was… fine. Image by The...
Let’s be honest here—after Pooh: Blood and Honey and knowing that Peter Pan's Neverland Nightmare came from the same twisted universe, I didn’t expect much. Maybe a few cheap kills, some bad acting, and another cash-in on public domain characters. But I’m happy to say I was completely wrong. This is the first horror movie of 2025 that actually feels fresh —not just in premise, but in execution too. Image by IMDb Kills With Purpose, Not Just Style Unlike so many horror flicks that go all in on creative gore for gore’s sake, Neverland Nightmare surprised me. The kills here actually fit the story. They’re brutal, yes—but they make sense. They aren’t just random “wouldn’t this be cool” moments. They reflect the psychology of the killer and the evolution of the story. That’s such a rare thing in modern horror, where violence often exists just to fill time or keep the audience awake. Image by The Austin Chronicle It Doesn’t Hold Back, and That’s the Point The film isn’t afraid to pus...